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'Hush' focuses on Maddie, a deaf-mute writer living alone in a remote house, where she is accosted one evening by a psychopath hellbent on terrorizing and murdering her. Co-written and directed by Mike Flanagan, who many have cited as a contemporary horror maestro, 'Hush' is a straightforward thriller that cuts to the chase. Amorous adventures. There's not a lot of plot; most of the film plays on the gimmick of the protagonist being unable to hear anything around her (including the noise she makes), which is a clever setup for a horror-thriller film (I'm actually surprised it wasn't done earlier). Comparisons to 'The Strangers' are abundant and probably well-deserved, as that film pioneered the post-millennial home invasion film as we know it. 'Hush' reduces the equation a bit, stripping it down to a one-on-one cat-and-mouse game, so in some regard it's a much more intense film; on the other hand, it's also remarkably less scary—but that's not really what Flanagan seems to be going for here anyway. It's not a film that intends to scare or get under the skin so much as it is a sparring match between two very different people. The film is nicely shot and there are some fantastic scenes that play on a collective home invasion paranoia that I think we all have.
The gore is kept to a minimum, but what is there is extremely visceral. The performances are solid, which is vital for a film that virtually revolves around two characters; Kate Siegel (who co-wrote the film with Flanagan) stars as the deaf Maddie, and is extremely believable, while John Gallagher Jr. Plays the anonymous nutjob who is more despicable than he is scary.
Where the film does falter a bit is in its last act, where the gimmick begins to wear off a bit as Maddie's situation grows more and more helpless. There is an amicable payoff in the end, albeit a drawn-out one. Overall, I found 'Hush' to be a relatively well-made film, and an enjoyable riff on the home invasion setup. That said, the film does grow dull in areas, and it also offers little in the way of new ideas, but what it does do, it does with class. All in all an entertaining and fairly intense thriller for what it's worth.
Find album reviews, stream songs, credits and award information for Grind - Original Soundtrack on AllMusic - 2003 - The soundtrack to the lunkheaded skater comedy.
Where to The Table, a 20-seat restaurant within Season to Taste catering headquarters.What for A prix fixe menu in toasty surroundings prepared by “Top Chef” contestant Carl Dooley.The scene Summer camp for sophisticates. Patrons gather at six or so wooden tables with high-backed chairs, or in booths with black-and-white upholstery straight out of Apartment Therapy. The walls are bare, all the better to focus on the open kitchen led by chipper Dooley and his happy crew. Bushy-bearded guys and Cambridge ladies pop in, asking for menus; couples debate over wine and political choices. Outside, Mass. God eater resurrection cheats.
Gridlock abounds, but a Talking Heads soundtrack drowns out the horns.
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